In this episode, Kamyar is joined by Murat Keyder, a New York City-based musician and composer, to talk about his recent album, *[Rüya](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd)* (2019). He is also the author of *[Learning Balkan and Middle Eastern Music on Guitar](https://www.amazon.com/gp/product/B01N6M5YYE/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0)* (2016). Originally from Turkey, Keyder is a guitarist and oud player, whose music is influenced by many different types of contemporary and classical music from Turkey, the Balkans, Southwest Asia, and other parts of the world. Keyder discusses the importance of improvisation in the creation of the album, and how he was able to incorporate Turkish maqams and other formal traditions into his songs. To listen to the album, [click here](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd). ...
In this episode, Rustin is joined by Manijeh Nasrabadi, Professor of Women’s, Gender and Sexuality Studies at Barnard College. She is the author of the forthcoming book, Neither Washington, Nor Tehran: Iranian Internationalism in the United States (Duke University Press, 2020). Manijeh speaks about her research on the Iranian Students Association, which was founded in 1952 by the Iranian Embassy and the CIA to support and monitor Iranian students studying at American universities. Over the course of the 1960s, leftist students maneuvered to take control of the leadership positions of the ISA, and gradually transformed the organization into a radical Anti-Shah opposition group. Within the Cold War context, members of the ISA found themselves entrenched in the anti-war, anti-imperialist, and civil rights movements of the day. Utilizing first-person interviews and archival work, Dr. Nasrabadi not only traces these intersections, but she also highlights how ISA members recall their hopes for the 1979 Iranian Revolution and their disappointments in its aftermath. Rustin closes out the episode with “[Lalai](https://www.youtube.com/watch?v=IfZ2QkDY0ng),” a political song performed by the Confederation of Iranian Students Choir in Munich in 1969. ...
*The Indian Ocean series explores topics related to the Islamo-Arabic and Persianate world from the perspective of the Indian Ocean littoral and the people who traversed its waters. These conversations aim to rethink narratives of history and culture, which have been traditionally boxed in by land-based territorial demarcations and regional studies frameworks. This series invites listeners to imagine the complex interconnectedness of life from East Africa to Southeast Asia and beyond. * In this introductory episode, Indian Ocean series host Lindsey Stephenson speaks with Fahad Bishara, who is an Assistant Professor of History at the University of Virginia. Dr. Bishara discusses with Lindsey the contours of the Indian Ocean world and the study of it. He draws out some of the similarities between the Indian Ocean and other oceanic spaces such as the Mediterranean and Atlantic worlds. He explains that many of the places central to the Indian Ocean have been treated as peripheral to area studies regions such as the Middle East and South Asia. Dr. Bishara suggests that rather than considering researching the Indian Ocean as working on a fixed space, it is more an approach to sources that helps us follow connections across seemingly disparate spaces. Finally Dr. Bishara outlines common themes that we can anticipate seeing in future episodes of the podcast as we explore the littoral societies of the oceans rim: mobility, connectivity, and identity. ...
