In this episode, Rustin is joined by Manijeh Nasrabadi, Professor of Women’s, Gender and Sexuality Studies at Barnard College. She is the author of the forthcoming book, Neither Washington, Nor Tehran: Iranian Internationalism in the United States (Duke University Press, 2020). Manijeh speaks about her research on the Iranian Students Association, which was founded in 1952 by the Iranian Embassy and the CIA to support and monitor Iranian students studying at American universities. Over the course of the 1960s, leftist students maneuvered to take control of the leadership positions of the ISA, and gradually transformed the organization into a radical Anti-Shah opposition group. Within the Cold War context, members of the ISA found themselves entrenched in the anti-war, anti-imperialist, and civil rights movements of the day. Utilizing first-person interviews and archival work, Dr. Nasrabadi not only traces these intersections, but she also highlights how ISA members recall their hopes for the 1979 Iranian Revolution and their disappointments in its aftermath. Rustin closes out the episode with “[Lalai](https://www.youtube.com/watch?v=IfZ2QkDY0ng),” a political song performed by the Confederation of Iranian Students Choir in Munich in 1969. ...
In this episode, Rustin and Ali are joined by Professor Najam Haider, Professor of Religion at Barnard College, to talk about his recent book, The Rebel and the Imām in Early Islam: Explorations in Muslim Historiography. The lack of contemporary sources for the first century of the Islamic period poses many challenges for historians past and present. Engaging with many of the impasses that still animate the study of early Islam, Professor Haider proposes that one way forward is to explore the rules that governed historical writing among early Muslims as well as their intended audiences. Instead of remaining preoccupied with 19th century European standards of historical writing, such as the search for veracity, he argues that the historians of the early Islamic period worked in continuity with the traditions of Late Antiquity. They were not interested in what “really happened,” but rather, they played with known narratives to make competing claims for contemporary audiences. After a personal anecdote about his own interest in the subject, Haider walks us through the example of the seventh Twelver-Shi’i Imam, Musa al Kadhim, explaining how sources over the centuries have told and retold his biography in keeping with their own theological and political concerns. ...
In this episode, Kamyar is joined by Murat Keyder, a New York City-based musician and composer, to talk about his recent album, *[Rüya](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd)* (2019). He is also the author of *[Learning Balkan and Middle Eastern Music on Guitar](https://www.amazon.com/gp/product/B01N6M5YYE/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0)* (2016). Originally from Turkey, Keyder is a guitarist and oud player, whose music is influenced by many different types of contemporary and classical music from Turkey, the Balkans, Southwest Asia, and other parts of the world. Keyder discusses the importance of improvisation in the creation of the album, and how he was able to incorporate Turkish maqams and other formal traditions into his songs. To listen to the album, [click here](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd). ...
