In this episode, Rustin interviews Golbarg Rekabtalaei, an Assistant Professor of History at Seton Hall University. She is the author of [Iranian Cosmopolitanism: A Cinematic History](https://www.cambridge.org/core/books/iranian-cosmopolitanism/729C8936B157EC6DA38BE4), published by Cambridge University Press in 2019. Dr. Rekabtalaei traces how the diverse ethnic, linguistic, and religious backgrounds of cinematographers, cinema owners, and cinema goers shaped Iran's urban culture and its citizenry's understanding of modernity. The interview opens with a discussion of the first films produced in Iran: what they looked like, where they were shown, and who was watching them. Then, Dr. Rekabtalaei explains how this cosmopolitanism fed into Iranian national identity and notions of sovereignty in the 1920s and 1930s. The conversation ends with the emergence of both popular cinema (derogatorily labelled "Film Farsi") and alternative cinema (*sinema-ye motevavet*) in the 1950s and 60s. Episode No. 19 Release Date: 20 July 2020 Recording Location: New York City, NY. Produced by Rustin Zarkar and Ali Karjoo-Ravary Audio editing: Nicholas Gunty Music: Yavaran (Intro: "404 day in heaven" Outro: "Har Chi") ...
In this episode, Rustin is joined by Kevan Harris, Assistant Professor of Sociology at The University of California, Los Angeles. He is the author of[ A Social Revolution: Politics and the Welfare State in Iran (University of California Press, 2017)](https://www.ucpress.edu/book.php?isbn=9780520280823). Kevan challenges commonly-held notions about the ideological rigidity of the Islamic Republic of Iran. He charts the development of social programs during the Pahlavi period, their continuation throughout the 1979 Revolution, and expansion during the Iran-Iraq War and Reconstruction Era. Additionally, Dr. Harris talks about the current challenges facing healthcare, social security, and other aid programs since 2009, from bureaucratic fragmentation and parallelism, austerity and sanctions, to a lack of a democratic structure for coherent policy making. Rustin closes out the episode with "Dummy Honar," a track from Kamyar's very own music project, [Yavaran](https://soundcloud.com/yavaran). ...
In this episode, Ali interviews Dr. Manan Ahmed Asif, an Associate Professor in Columbia University’s History department, about his book, [The Loss of Hindustan, the Invention of India](https://www.hup.harvard.edu/catalog.php?isbn=9780674987906) (Harvard University Press, 2020). Before nationalism—before even the European colonization of South Asia—the term Hindustan signified a regional identity that spanned the length of modern Pakistan, India, and Bangladesh. It referred both to a geography with shifting and porous boundaries as well as to a shared physical and mental space inhabited by peoples with overlapping literatures, music, food, and even dress. To approach Hindustan, Dr. Ahmed Asif focuses on the writings of the 17th century historian Firishta, who lived in the Deccan region of what is now South India. Firishta’s history is unique because, unlike many premodern histories, it focuses on Hindustan itself as a subject, not a particular family or lineage. To do this, he drew not only from Arabic and Persian sources, but also from texts like the Sanskrit epic Mahabharata, melding approaches in a way that reveals a comfort with contradiction and multiplicity. It was this multiplicity, not only of place, but religion, ethnicity, genre, and language, that defined Hindustan. The afterlife of Firishta’s work is equally telling. It was rendered into English multiple times in the 18th and 19th centuries for the British East India Company, providing them not only a means of approach to the histories, kingdoms, and religions of Hindustan, but also a bibliography of its major sources. In turn, once rendered into English, it inspired the theorizations of history that came to define European modernity, such as those of Kant, Hegel, and even Gibbon. Yet that same colonial enterprise mined Firishta’s work for its own ends ...
