In this episode, Rustin interviews Golbarg Rekabtalaei, an Assistant Professor of History at Seton Hall University. She is the author of [Iranian Cosmopolitanism: A Cinematic History](https://www.cambridge.org/core/books/iranian-cosmopolitanism/729C8936B157EC6DA38BE4), published by Cambridge University Press in 2019. Dr. Rekabtalaei traces how the diverse ethnic, linguistic, and religious backgrounds of cinematographers, cinema owners, and cinema goers shaped Iran's urban culture and its citizenry's understanding of modernity. The interview opens with a discussion of the first films produced in Iran: what they looked like, where they were shown, and who was watching them. Then, Dr. Rekabtalaei explains how this cosmopolitanism fed into Iranian national identity and notions of sovereignty in the 1920s and 1930s. The conversation ends with the emergence of both popular cinema (derogatorily labelled "Film Farsi") and alternative cinema (*sinema-ye motevavet*) in the 1950s and 60s. Episode No. 19 Release Date: 20 July 2020 Recording Location: New York City, NY. Produced by Rustin Zarkar and Ali Karjoo-Ravary Audio editing: Nicholas Gunty Music: Yavaran (Intro: "404 day in heaven" Outro: "Har Chi") ...
In this episode, Rustin and Ali interview Alireza Doostdar, Assistant Professor of Islamic Studies and the Anthropology of Religion at the University of Chicago. He is the author of [The Iranian Metaphysicals: Explorations in Science, Islam, and the Uncanny](https://press.princeton.edu/books/hardcover/9780691163772/the-iranian-metaphysicals), published by Princeton University Press in 2018. Dr. Doostdar explores the neglected aspects of religion and spirituality in Iran, specifically practices that are often categorized in the realm of superstition, magic, and the occult. The interview opens with a discussion of two different yet entangled traditions that engage with the immaterial world in contemporary Iran: the "strange" or "hidden" sciences ('ulum-e qaribeh or 'ulum-e khafiyeh) that developed in Iran and nearby regions, and the esoteric sciences imported from Europe in the nineteenth century. These two lineages include beliefs and practices such as sorcery, alchemy, astrology, spiritism, mesmerism, and theosophy. Dr. Doostdar explains that these traditions form the foundations of Iranian metaphysics and serves as a testament to the plurality and ambiguity of religious practice in the Islamic Republic. Towards the end of the episode, Dr. Doostdar discusses his own perceived run-in with the unseen world during his fieldwork. ...
In this episode Lindsey interviews Ameem Lutfi, Postdoctoral Research Fellow at the Middle East Institute at the National University of Singapore. The legacy of the Baloch in Indian Ocean historiography has been confined to their role as soldiers or “mercenaries” of various rulers. Dr. Lutfi’s work is interested in interrogating what it meant for the Baloch to conquer on behalf of rulers without ever ruling those territories themselves. He grapples with the tension between the power that they have as conquerors - precluding them from being categorized as subaltern - and the fact that their history has been primarily passed down through folklore rather than texts. Dr. Lutfi reminds us that in the past, states frequently relied on “mercenary” outsiders to staff their armies, and professional citizen soldiers only became the norm in the last century. He explains that although the Baloch have been perceived by many as a diaspora group, they see themselves as critical parts in the formation of the nation itself. In this vein, their work as soldiers and more recently policemen, has created deep, highly mobile Baloch networks between the shores for centuries. ...
