Happy Nowruz/Nawriz/Navruz/Novruz/Newroz everyone! Nowruz is an ancient festival marking the arrival of Spring, celebrated across the Middle East, Central Asia, the Caucasus, South Asia, and the Balkans. Dating back at least 3,000 years, Nowruz is a celebration of rebirth and renewal, of the end of winter and the flowering of the Earth that warm weather brings. In the Iranian calendar, this Nowruz marks the beginning of the year 1398. In this episode, Kamyar and Rustin talk reflect on the first year since Ajam's successful kickstarter, which has given the project enough funds to pay writers and launch new projects. They talk about what is to come in the new year, including a new film project and the return of the mixtapes series. The conversation then moved to the topic of Nowruz and how it is celebrated, before revisiting Ajam editor Beeta Baghoolizadeh's [2012 piece on Haji Firuz and race in Iran](https://ajammc.com/2012/06/20/the-afro-iranian-community-beyond-haji-firuz-blackface-slavery-bandari-music/). ...
While Kamyar is traveling for work, Rustin is joined by guest co-host Yan Matusevich in Tbilisi, Georgia. Yan is a Vienna-based researcher and journalist focusing on issues of migration in the post-Soviet space. He is also the host of the [ZamZaman](https://cba.fro.at/series/zamzaman) podcast, which showcases music from Eastern Europe and Eurasia at large. Yan and Rustin talk to Mariana Irby, a PhD student at the University of Pennsylvania. Her research focuses on nationalism, gender, and post-socialism in Tajikistan and Tajik migrant communities in Russia. She is also the author of a recent Ajam article, ["Dressing the Nation: Tajikistan’s Hijab Ban and the Politics of Fashion in Post-Soviet Central Asia" ](https://ajammc.com/2018/09/30/national-islamic-fashion-tajikistan/). In this episode, Mariana delves deeper into the interplay between gender, articulations of nationhood, and the Tajik labor economy. Yan closes out the episode with a track from the ZamZaman archive: ["Dilro Bubin," Makhfirat Hamroqulova & Gulshan (Tajikistan, 1985) ](https://www.youtube.com/watch?v=WT0122kn6fQ&feature=youtu.be&fbclid=IwAR3m8n3d2oNh27w5S61YH8EZOxjmndOPHPRgLMv-oUht08D4erh6wLPOn_8) Related Readings: Madeleine Reeves, "[Clean fake:Authenticating documents and persons in migrant Moscow"](http://http://russianmodernisation.fi/material/living-with-risk/Further_readings_Aitamurto2.pdf) Nicholas Muller, ["Russia: New migrant registration rules threaten tenuous livelihoods"](https://eurasianet.org/russia-new-migrant-registration-rules-threaten-tenuous-livelihoods) ...
In this episode, Kamyar is joined by Murat Keyder, a New York City-based musician and composer, to talk about his recent album, *[Rüya](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd)* (2019). He is also the author of *[Learning Balkan and Middle Eastern Music on Guitar](https://www.amazon.com/gp/product/B01N6M5YYE/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0)* (2016). Originally from Turkey, Keyder is a guitarist and oud player, whose music is influenced by many different types of contemporary and classical music from Turkey, the Balkans, Southwest Asia, and other parts of the world. Keyder discusses the importance of improvisation in the creation of the album, and how he was able to incorporate Turkish maqams and other formal traditions into his songs. To listen to the album, [click here](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd). ...
