In this episode, Kamyar and Rustin reunite in New York to speak with Nahid Siamdoust, Postdoctoral Associate and Lecturer and the Ehsan Yarshater Fellow at Yale University. She is the author of [Soundtrack of the Revolution: the Politics of Music in Iran (Stanford University Press, 2017) ](https://www.sup.org/books/title/?id=24949) Nahid gives an overview of the role of music in Iran’s social and political movements throughout the 20th century, before discussing how music became one of the first causalities of the Islamic Republic before it was slowly reintroduced, albeit with many restrictions on what can be played and whom can perform. From Persian classical music, to underground rock, hip-hop, and pop, Dr. Siamdoust shows how music continues to be a central site of negotiation and struggle between ideologues, bureaucrats, and musicians in Iran. In addition to the music included throughout the interview, Nahid has curated a Soundcloud playlist, [The 10 Songs That Define Modern Iran](https://soundcloud.com/nahid-siamdoust/10-songs-that-define-modern-iran). ...
In this episode, Rustin speaks with Leyli Gafarova, an independent filmmaker and the co-creator of Salaam Cinema, a community-driven independent cinema space showcasing non-commercial, locally-made, and historical films in Baku, Azerbaijan’s capital. Named after Mohsen Makhmalbaf’s [1995 movie of the same name](https://en.wikipedia.org/wiki/Hello_Cinema) , Baku’s Salaam Cinema is a venue for the performing arts and offers a wide program of exhibitions and educational workshops. Following their opening in January 2019, Salaam Cinema moved into their current venue, a [historic Molokan prayer house](https://www.google.com/maps/place/Salaam+Cinema/@40.3801135,49.8436259,17z/data=!3m1!4b1!4m5!3m4!1s0x40307dd716cb339d:0x212e232413554cac!8m2!3d40.3801135!4d49.8458146?shorturl=1) in the heart of Baku. [Molokan](https://en.wikipedia.org/wiki/Molokan) is a term describing Eastern Christian groups that developed in Slavic lands but rejected central Orthodox rites. In the 1830s, the Russian Empire forcibly transferred many Molokans to the periphery of the empire, and a group was settled in Azerbaijan. In 1913, an architect of Molokan origin [built the prayer house](https://www.facebook.com/atelierpille/posts/845848332443258?__tn__=K-R) with the aim of gathering the dispersed Molokan populations across Azerbaijan. Following the Bolshevik Revolution, the prayer house was converted into a radio broadcasting building in 1926. The home of the radio show, Danışır Bakı (Baku is on air), the building became a bastion of the Azerbaijani language and an everyday fixture of Baku cultural life. After the dissolution of the Soviet Union in 1991, the building was privatized and then rented out as office space, but it had fallen into disrepair. Salaam Cinema, with the help of the community, refurbished the building and once again transformed it into a cultural landmark. However, as of March 2019, the landlords have moved forward with plans to demolish the historic building, fitting with the general trend of gentrification and property speculation that has driven [Baku’s rapid urban development](https://ajammc.com/2016/10/10/mehelle-recording-life-endangered-neighborhoods/) since the early 2010s. Salaam Cinema, ...
In this episode, Rustin and Ali interview Dr. Kelly Anne Hammond, Assistant Professor of East Asian History in the Department of History at the University of Arkansas, about her book, China’s Muslims and Japan’s Empire: Centering Islam in World War II (University of North Carolina Press, November 2020). During World War II, Sino-Muslims (Hui Muslims) were an important focal point for Imperial Japanese propaganda. Japanese imperial officials saw Sino-Muslims as crucial intermediaries that could help not only defeat nationalist and communist opposition in China, but also help bolster an image of the empire as anti-Western protectors of Islam. Building on an older academic tradition of Islamic Studies in Japan, knowledge of Islam was put into imperial service. Combined with the patronage of Muslim schools, mosques, and hajj pilgrimage, the empire aimed to create transnational Muslim networks that were centered in Japan and used Japanese as their new lingua franca. Dr. Hammond shows that these efforts were met with limited success due to the community’s religious and political diversity, as well as the military defeat of Imperial Japan. Even those who were receptive to Japanese efforts ultimately had to ally themselves with other powers following the end of the war, yet the legacy of their role as intermediaries remained even in the Cold War era. ...
