In this episode, Kamyar is joined by Murat Keyder, a New York City-based musician and composer, to talk about his recent album, *[Rüya](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd)* (2019). He is also the author of *[Learning Balkan and Middle Eastern Music on Guitar](https://www.amazon.com/gp/product/B01N6M5YYE/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0)* (2016). Originally from Turkey, Keyder is a guitarist and oud player, whose music is influenced by many different types of contemporary and classical music from Turkey, the Balkans, Southwest Asia, and other parts of the world. Keyder discusses the importance of improvisation in the creation of the album, and how he was able to incorporate Turkish maqams and other formal traditions into his songs. To listen to the album, [click here](https://open.spotify.com/album/1UgDWDZVXJRKhyhH7FjBVm?highlight=spotify:track:5OqTvH0D8t0vZBnMDR7rCd). ...
In this episode, Ali and Lindsey are joined by Dr. Keelan Overton, an independent scholar in Santa Barbara, and Dr. Subah Dayal, Assistant Professor at the Gallatin School of Individualized Study at NYU, to talk about [Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700 (Indiana University Press, 2020)](https://iupress.org/9780253048912/iran-and-the-deccan/). They highlight the shared and oft overlooked history of Iran and the Deccan plateau of southern India over a three-hundred-year period. During this time, the sea routes between Iran and the Deccan became a major point of exchange for not only trade, but also the circulation of precious objects, poetic styles, as well as kings, saints, artisans, and statesmen. The volume paints a picture of a complex world wherein fashions and styles travel across myriad languages and social contexts. It shows how the Sultanates of the Deccan were embedded in, an integral part of, and inheritors to the norms of the Timurid period that are usually associated with the Ottomans, Safavids, and the Mughals. The result was "the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad." While clear hierarchies developed that privileged the Persian language and its customs, there was also a creative adaptation of Persianate archetypes into Deccani vernaculars. For example, Subah explains how one 17th-century poet tells the story of contemporary battles and political events in the form of the Shahnameh, but in Deccani language. In architecture, Keelan describes how Deccani basalt rock was used to frame the panels of otherwise archetypical Persianate tilework inscriptions. Together, they reveal the merits of interdisciplinarity and creativity for telling global histories. *Correction, ~16:16: Keelan mentioned ...
In this episode, Kamyar and Rustin talk to Stefan Williamson Fa, co-founder of [Mountains of Tongues](https://www.facebook.com/mountainsoftongues/), a project documenting and promoting musical dialects in the South Caucasus. Mountains of Tongues showcases traditions that defy normal categorizations of "national" or "folk" music through the use of non-conventional instruments, multiple languages, and a blending of different musical genres. Stefan shares three songs from the Mountains of Tongues archive and from his most recent fieldwork in Georgia: a Georgian-Azeri bilingual Kamancha song by Sergo Kamalov, Aşıq Nargile's rendition of the Aşıq Qərib story, and a Azeri electric guitar solo from a wedding in Qaçağan, Georgia. Stefan Williamson Fa recently received his PhD in Anthropology at University College London. His research focuses on performance and lamentation rituals in Turkish-speaking Shi'i communities in Eastern Anatolia and the Caucasus. ...
