In this episode, Rustin interviews Golbarg Rekabtalaei, an Assistant Professor of History at Seton Hall University. She is the author of [Iranian Cosmopolitanism: A Cinematic History](https://www.cambridge.org/core/books/iranian-cosmopolitanism/729C8936B157EC6DA38BE4), published by Cambridge University Press in 2019. Dr. Rekabtalaei traces how the diverse ethnic, linguistic, and religious backgrounds of cinematographers, cinema owners, and cinema goers shaped Iran's urban culture and its citizenry's understanding of modernity. The interview opens with a discussion of the first films produced in Iran: what they looked like, where they were shown, and who was watching them. Then, Dr. Rekabtalaei explains how this cosmopolitanism fed into Iranian national identity and notions of sovereignty in the 1920s and 1930s. The conversation ends with the emergence of both popular cinema (derogatorily labelled "Film Farsi") and alternative cinema (*sinema-ye motevavet*) in the 1950s and 60s. Episode No. 19 Release Date: 20 July 2020 Recording Location: New York City, NY. Produced by Rustin Zarkar and Ali Karjoo-Ravary Audio editing: Nicholas Gunty Music: Yavaran (Intro: "404 day in heaven" Outro: "Har Chi") ...
In this episode, Rustin is joined by Manijeh Nasrabadi, Professor of Women’s, Gender and Sexuality Studies at Barnard College. She is the author of the forthcoming book, Neither Washington, Nor Tehran: Iranian Internationalism in the United States (Duke University Press, 2020). Manijeh speaks about her research on the Iranian Students Association, which was founded in 1952 by the Iranian Embassy and the CIA to support and monitor Iranian students studying at American universities. Over the course of the 1960s, leftist students maneuvered to take control of the leadership positions of the ISA, and gradually transformed the organization into a radical Anti-Shah opposition group. Within the Cold War context, members of the ISA found themselves entrenched in the anti-war, anti-imperialist, and civil rights movements of the day. Utilizing first-person interviews and archival work, Dr. Nasrabadi not only traces these intersections, but she also highlights how ISA members recall their hopes for the 1979 Iranian Revolution and their disappointments in its aftermath. Rustin closes out the episode with “[Lalai](https://www.youtube.com/watch?v=IfZ2QkDY0ng),” a political song performed by the Confederation of Iranian Students Choir in Munich in 1969. ...
In this episode, Rustin speaks with Eskandar Sadeghi-Boroujerdi, Lecturer in Comparative Political Theory at Goldsmiths, University of London. He is the author of [Revolution and its Discontents: Political Thought and Reform in Iran (Cambridge University Press, 2019).](https://www.cambridge.org/ge/academic/subjects/history/middle-east-history/revolution-and-its-discontents-political-thought-and-reform-iran?format=HB#contentsTabAnchor) Dr. Sadeghi-Boroujerdi gives an overview of the history and ideological development of Reformism in Iran. Following the death of Ayatollah Khomeini in 1989 and the dissolution of the Soviet Union in 1991, left-leaning factions of the Islamic Republic's political elite found themselves sidelined and kicked out of the corridors of power in the Islamic Republic. Throughout the discussion, Dr. Sadeghi-Boroujerdi outlines how the reformist movement was not only shaped by their members' political marginalization, but also by a global network of post-cold-war theoretical writings championing incrementalism, economic liberalism, and strengthening civil society. The conversation concludes with current state of reformism--of its contradictions, lessons learned, and opportunities missed. ...
