Happy Nowruz/Nawriz/Navruz/Novruz/Newroz everyone! Nowruz is an ancient festival marking the arrival of Spring, celebrated across the Middle East, Central Asia, the Caucasus, South Asia, and the Balkans. Dating back at least 3,000 years, Nowruz is a celebration of rebirth and renewal, of the end of winter and the flowering of the Earth that warm weather brings. In the Iranian calendar, this Nowruz marks the beginning of the year 1398. In this episode, Kamyar and Rustin talk reflect on the first year since Ajam's successful kickstarter, which has given the project enough funds to pay writers and launch new projects. They talk about what is to come in the new year, including a new film project and the return of the mixtapes series. The conversation then moved to the topic of Nowruz and how it is celebrated, before revisiting Ajam editor Beeta Baghoolizadeh's [2012 piece on Haji Firuz and race in Iran](https://ajammc.com/2012/06/20/the-afro-iranian-community-beyond-haji-firuz-blackface-slavery-bandari-music/). ...
In this episode, Lindsey, Rustin, and Ali interview Dr. Teren Sevea, Assistant Professor of Islamic Studies at Harvard Divinity School about his recent book, Miracles and Material Life: Rice, Ore, Traps and Guns in Islamic Malaya (Cambridge University Press, 2020). Dr. Sevea reveals the significance of Islamic miracle workers, called pawangs or bomohs, in the Malay world from the 19th century to the present. He maps out the spiritual economy of the Indian Ocean world and its many human and non-human actors. These figures, steeped in the practice and cosmology of Sufism, were instrumental to the material life of the societies they lived in. They frequently directed the extraction of natural resources, the adaptation and use of new technologies, and the navigation of land and sea. Combining an analysis of overlooked sources, including manuscripts and personal interaction with modern pawangs, Dr. Sevea shows how these miracle workers interacted with the Unseen world to aid and direct labor in the societies they lived in. For example, they were seen as masters of prospecting and mining tin, taming elephants and tigers, or even shooting guns. Even British colonial officials who dismissed them as “primitive” sought out their aid and guidance when it came to navigating the material world, admitting their skill despite their “superstitions.” To further complicate matters, some pawangs even considered these very same colonial officials as their own “companions” even while some of their peers encouraged war against their imperial masters. Despite their centrality to the past, pawangs and bomohs today are marginalized in official discourse and media within Malaysia and Singapore today. Yet they are still very present, whether in guiding their followers, healing the sick, or even ...
In this episode, Rustin interviews Golbarg Rekabtalaei, an Assistant Professor of History at Seton Hall University. She is the author of [Iranian Cosmopolitanism: A Cinematic History](https://www.cambridge.org/core/books/iranian-cosmopolitanism/729C8936B157EC6DA38BE4), published by Cambridge University Press in 2019. Dr. Rekabtalaei traces how the diverse ethnic, linguistic, and religious backgrounds of cinematographers, cinema owners, and cinema goers shaped Iran's urban culture and its citizenry's understanding of modernity. The interview opens with a discussion of the first films produced in Iran: what they looked like, where they were shown, and who was watching them. Then, Dr. Rekabtalaei explains how this cosmopolitanism fed into Iranian national identity and notions of sovereignty in the 1920s and 1930s. The conversation ends with the emergence of both popular cinema (derogatorily labelled "Film Farsi") and alternative cinema (*sinema-ye motevavet*) in the 1950s and 60s. Episode No. 19 Release Date: 20 July 2020 Recording Location: New York City, NY. Produced by Rustin Zarkar and Ali Karjoo-Ravary Audio editing: Nicholas Gunty Music: Yavaran (Intro: "404 day in heaven" Outro: "Har Chi") ...
