In this episode, Kamyar and Rustin reunite in New York to speak with Nahid Siamdoust, Postdoctoral Associate and Lecturer and the Ehsan Yarshater Fellow at Yale University. She is the author of [Soundtrack of the Revolution: the Politics of Music in Iran (Stanford University Press, 2017) ](https://www.sup.org/books/title/?id=24949) Nahid gives an overview of the role of music in Iran’s social and political movements throughout the 20th century, before discussing how music became one of the first causalities of the Islamic Republic before it was slowly reintroduced, albeit with many restrictions on what can be played and whom can perform. From Persian classical music, to underground rock, hip-hop, and pop, Dr. Siamdoust shows how music continues to be a central site of negotiation and struggle between ideologues, bureaucrats, and musicians in Iran. In addition to the music included throughout the interview, Nahid has curated a Soundcloud playlist, [The 10 Songs That Define Modern Iran](https://soundcloud.com/nahid-siamdoust/10-songs-that-define-modern-iran). ...
Happy Nowruz/Nawriz/Navruz/Novruz/Newroz everyone! Nowruz is an ancient festival marking the arrival of Spring, celebrated across the Middle East, Central Asia, the Caucasus, South Asia, and the Balkans. Dating back at least 3,000 years, Nowruz is a celebration of rebirth and renewal, of the end of winter and the flowering of the Earth that warm weather brings. In the Iranian calendar, this Nowruz marks the beginning of the year 1398. In this episode, Kamyar and Rustin talk reflect on the first year since Ajam's successful kickstarter, which has given the project enough funds to pay writers and launch new projects. They talk about what is to come in the new year, including a new film project and the return of the mixtapes series. The conversation then moved to the topic of Nowruz and how it is celebrated, before revisiting Ajam editor Beeta Baghoolizadeh's [2012 piece on Haji Firuz and race in Iran](https://ajammc.com/2012/06/20/the-afro-iranian-community-beyond-haji-firuz-blackface-slavery-bandari-music/). ...
In this episode, Ali interviews Dr. Manan Ahmed Asif, an Associate Professor in Columbia University’s History department, about his book, [The Loss of Hindustan, the Invention of India](https://www.hup.harvard.edu/catalog.php?isbn=9780674987906) (Harvard University Press, 2020). Before nationalism—before even the European colonization of South Asia—the term Hindustan signified a regional identity that spanned the length of modern Pakistan, India, and Bangladesh. It referred both to a geography with shifting and porous boundaries as well as to a shared physical and mental space inhabited by peoples with overlapping literatures, music, food, and even dress. To approach Hindustan, Dr. Ahmed Asif focuses on the writings of the 17th century historian Firishta, who lived in the Deccan region of what is now South India. Firishta’s history is unique because, unlike many premodern histories, it focuses on Hindustan itself as a subject, not a particular family or lineage. To do this, he drew not only from Arabic and Persian sources, but also from texts like the Sanskrit epic Mahabharata, melding approaches in a way that reveals a comfort with contradiction and multiplicity. It was this multiplicity, not only of place, but religion, ethnicity, genre, and language, that defined Hindustan. The afterlife of Firishta’s work is equally telling. It was rendered into English multiple times in the 18th and 19th centuries for the British East India Company, providing them not only a means of approach to the histories, kingdoms, and religions of Hindustan, but also a bibliography of its major sources. In turn, once rendered into English, it inspired the theorizations of history that came to define European modernity, such as those of Kant, Hegel, and even Gibbon. Yet that same colonial enterprise mined Firishta’s work for its own ends ...
